"Sometimes when people give up their seat for me—as they ought—they accompany this generous gesture with the words “I’ve been sitting all day.” “Me too!” I say, happily taking the weight off my feet. If I’ve sat on my arse all day—and it’s definitely my English arse I sit on, not an American ass—then what I most want to do come evening is sit on it some more. But I do like to change where I sit on it. In the day I’m at my desk in one of those Herman Miller Aeron chairs that make one feel like a mid-level executive with back problems. For a while in the afternoon I move to a red leather chair that tilts back like a prototype of the first-ever business-class airplane seat in order to read, i.e. induce a nap. Having recovered from my nap, I put in a further quarter-hearted shift in my Aeron before moving to the living-room sofa for some real sitting: sitting in the sense of almost lying down with all parts of the body evenly supported. “Up go the feet,” I say out loud and from then until bed-time they come down only reluctantly."
from article, about writers sitting, in The New Republic.
h/t: Salon
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